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The Siberian accentor (Prunella montanella) is a small passerinebird that breeds in northern Russia from the Ural Mountains eastwards across Siberia. It is migratory, wintering in Korea and eastern China, with rare occurrences in western Europe and northwestern North America. Its typical breeding habitat is subarcticdeciduous forests and open coniferous woodland, often close to water, although it also occurs in mountains and sprucetaiga. It inhabits bushes and shrubs in winter, frequently near streams, but may also be found in dry grassland and woods.
The Siberian accentor has brown upperparts and wings, with bright chestnut streaking on its back and a greyish-brown rump and tail. The head has a dark brown crown and a long, wide pale yellow supercilium ("eyebrow"). All plumages are quite similar. The nest is an open cup in dense shrub or a tree into which the female lays four to six glossy deep blue-green eggs that hatch in about ten days. Adults and chicks feed mainly on insects, typically picked off the ground, but sometimes taken from vegetation. In winter, the accentors may also consume seeds or feed near human habitation. (Full article...)
The sculpture depicts a female personification of Russia, commonly referred to as Mother Russia. She wears a windswept shawl resembling wings, and holds a sword aloft in her right hand. Her left hand is extended outward, as she calls upon the Soviet people to battle. The statue was originally planned to be made of granite and to stand only 30 metres (98 ft) tall, with a design consisting of a Red Army soldier genuflecting and placing a sword before Mother Russia holding a folded banner. However, the design was changed in 1961 to be a large concrete structure at nearly double the height, a decision that was subject to criticism from Soviet military officials and writers. It was inspired by the Winged Victory of Samothrace, an ancient Greek sculpture of the goddess of victory, Nike. (Full article...)
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)
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The Shuttle–Mir program (Russian: Программа «Мир»–«Шаттл») was a collaborative space program between Russia and the United States that involved American Space Shuttles visiting the Russian space stationMir, Russian cosmonauts flying on the Shuttle, and an American astronaut flying aboard a Soyuz spacecraft to allow American astronauts to engage in long-duration expeditions aboard Mir.
The project, sometimes called "Phase One", was intended to allow the United States to learn from Russian experience with long-duration spaceflight and to foster a spirit of cooperation between the two nations and their space agencies, the National Aeronautics and Space Administration (NASA) and the Russian Space Agency (PKA). The project helped to prepare the way for further cooperative space ventures; specifically, "Phase Two" of the joint project, the construction of the International Space Station (ISS). The program was announced in 1993, the first mission started in 1994 and the project continued until its scheduled completion in 1998. Eleven Space Shuttle missions, a joint Soyuz flight and almost 1,000 cumulative days in space for American astronauts occurred over the course of seven long-duration expeditions. In addition to Space Shuttle launches to Mir the United States also fully funded and equipped with scientific equipment the Spektr module (launched in 1995) and the Priroda module (launched in 1996), making them de facto U.S. modules during the duration of the Shuttle-Mir program. (Full article...)
Serving in the Baltic Sea during World War I, Slava was the largest ship of the Russian Gulf of Riga Squadron that fought the German High Seas Fleet in the Battle of the Gulf of Riga in August 1915. She repeatedly bombarded German positions and troops for the rest of 1915 and during 1916. During the Battle of Moon Sound in 1917, Slava was badly damaged by the German dreadnoughtSMS König, significantly increasing her draft. The shallow channel made it impossible to escape and she was scuttled in the Moon Sound Strait between the island of Muhu (Moon) and the mainland. The Estoniansscrapped her during the 1930s. (Full article...)
The army was formed at Khabarovsk in the Soviet Far East in 1938 as the 2nd Army. After the Far Eastern Front was split in September that year it became the 2nd Independent Red Banner Army. When the front was reformed in June 1940, the army was redesignated as the 2nd Red Banner Army, stationed in the Blagoveshchensk area. It spent the bulk of World War II guarding the border in that area, sending formations to the Eastern Front while undergoing several reorganizations. In August 1945, the army fought in the Soviet invasion of Manchuria, capturing the Japanese fortified regions of Aihun and Sunwu adjacent to its sector of the border, and advancing into Manchuria to Qiqihar. The army was disbanded after the war in late 1945. (Full article...)
After the mutineers sought asylum in Constanța, Romania, and after the Russians recovered the ship, her name was changed to Panteleimon. She accidentally sank a Russian submarine in 1909 and was badly damaged when she ran aground in 1911. During World War I, Panteleimon participated in the Battle of Cape Sarych in late 1914. She covered several bombardments of the Bosphorus fortifications in early 1915, including one where the ship was attacked by the OttomanbattlecruiserYavuz Sultan Selim – Panteleimon and the other Russian pre-dreadnoughts present drove her off before she could inflict any serious damage. The ship was relegated to secondary roles after Russia's first dreadnought battleship entered service in late 1915. She was by then obsolete and was reduced to reserve in 1918 in Sevastopol. (Full article...)
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Extent of Ali Bey and Zahir's territory between 1768 and 1774 and Russian naval movements in the Levant, based on the accounts of Sauveur Lusignan, a contemporary historian Beirut was twice occupied during the Russo-Turkish War of 1768–1774 by squadrons of the Imperial Russian Navy's Mediterranean Fleet, first in June 1772 and second from October 1773 to early 1774, as part of its Levant campaign. Russia's main objective in this campaign was to assist local forces led by Egypt's autonomous ruler, Ali Bey al-Kabir, who was in open rebellion against the Ottoman Empire.
Russia, led by Catherine the Great, was pressing the Ottomans in Europe. Ali took advantage of the Empire's preoccupation with Russia to declare Egypt's independence; in 1771 he sent an army led by Muhammad Bey Abu al-Dhahab to occupy Ottoman territory in the Levant. Abu al-Dhahab unexpectedly returned to challenge Ali for control of Egypt. Ali requested Russian military assistance against both his rival and the Ottomans. When this aid, in the form of a small Russian squadron, arrived in the region, Ali had already fled Egypt and taken refuge in Acre, the power base of his ally, Zahir al-Umar. After helping repel an Ottoman offensive on Sidon, the Russian squadron sailed for Beirut. They bombarded the town in June 1772 and occupied it from June23 to 28. (Full article...)
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Stravinsky in the early 1920s
Igor Fyodorovich Stravinsky[a] (17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.
At the beginning of the Russo-Japanese War of 1904–1905, Petropavlovsk took part in the Battle of Port Arthur, where she was lightly damaged by Japanese shells and failed to score any hits in return. On 13 April 1904, the ship sank after striking one or more mines near Port Arthur, in northeast China. Casualties numbered 27 officers and 652 enlisted men, including Vice AdmiralStepan Makarov, the commander of the squadron, and the war artistVasily Vereshchagin. The arrival of the competent and aggressive Makarov after the Battle of Port Arthur had boosted Russian morale, which plummeted after his death. (Full article...)
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Largest European specimen, a male at Südostbayerisches Naturkunde- und Mammut-Museum, Siegsdorf
The woolly mammoth (Mammuthus primigenius) is an extinct species of mammoth that lived from the Middle Pleistocene until its extinction in the Holocene epoch. It was one of the last in a line of mammoth species, beginning with the African Mammuthus subplanifrons in the early Pliocene. The woolly mammoth began to diverge from the steppe mammoth about 800,000 years ago in Siberia. Its closest extant relative is the Asian elephant. The Columbian mammoth (Mammuthus columbi) lived alongside the woolly mammoth in North America, and DNA studies show that the two hybridised with each other. Mammoth remains had long been known in Asia before they became known to Europeans. The origin of these remains was long a matter of debate and often explained as being remains of legendary creatures. The mammoth was identified as an extinct species of elephant by Georges Cuvier in 1796.
The appearance and behaviour of this species are among the best studied of any prehistoric animal because of the discovery of frozen carcasses in Siberia and North America, as well as skeletons, teeth, stomach contents, dung, and depiction from life in prehistoric cave paintings. The woolly mammoth was roughly the same size as modern African elephants. Males reached shoulder heights between 2.67 and 3.49 m (8 ft 9 in and 11 ft 5 in) and weighed between 3.9 and 8.2 t (3.8 and 8.1 long tons; 4.3 and 9.0 short tons). Females reached 2.3–2.6 m (7 ft 7 in – 8 ft 6 in) in shoulder heights and weighed between 2.8–4 t (2.8–3.9 long tons; 3.1–4.4 short tons). A newborn calf weighed about 90 kg (200 lb). The woolly mammoth was well adapted to the cold environments present during glacial periods, including the last ice age. It was covered in fur, with an outer covering of long guard hairs and a shorter undercoat. The colour of the coat varied from dark to light. The ears and tail were short to minimise frostbite and heat loss. It had long, curved tusks and four molars, which were replaced six times during the lifetime of an individual. Its behaviour was similar to that of modern elephants, and it used its tusks and trunk for manipulating objects, fighting, and foraging. The diet of the woolly mammoth was mainly grasses and sedges. Individuals could probably reach the age of 60. Its habitat was the mammoth steppe, which stretched across northern Eurasia and North America. (Full article...)
The Gurian Republic was an insurgent community that existed between 1902 and 1906 in the western Georgian region of Guria (known at the time as the Ozurget Uyezd) in the Russian Empire. It rose from a revolt over land grazing rights in 1902. Several issues over the previous decades affecting the peasant population including taxation, land ownership and economic factors also factored into the start of the insurrection. The revolt gained further traction through the efforts of Georgian social democrats, despite some reservations within their party over supporting a peasant movement, and grew further during the 1905 Russian Revolution.
During its existence, the Gurian Republic ignored Russian authority and established its own system of government, which consisted of assemblies of villagers meeting and discussing issues. A unique form of justice, where trial attendees voted on sentences, was introduced. While the movement broke from imperial administration, it was not anti-Russian, desiring to remain within the Empire. (Full article...)
Rostislav was a pre-dreadnought battleship built by the Nikolaev Admiralty Shipyard in the 1890s for the Black Sea Fleet of the Imperial Russian Navy. She was conceived as a small, inexpensive coastal defence ship, but the Navy abandoned the concept in favor of a compact, seagoing battleship with a displacement of 8,880 long tons (9,022 t). Poor design and construction practices increased her actual displacement by more than 1,600 long tons (1,626 t). Rostislav became the world's first capital ship to burn fuel oil, rather than coal. Her combat ability was compromised by the use of 10-inch (254 mm) main guns instead of the de facto Russian standard of 12 inches (305 mm).
Her hull was launched in September 1896, but non-delivery of the ship's main guns delayed her maiden voyage until 1899 and her completion until 1900. In May 1899 Rostislav became the first ship of the Imperial Navy to be commanded by a member of the House of Romanov, Captain Alexander Mikhailovich. From 1903 to 1912 the ship was the flagship of the second-in-command of the Black Sea Fleet. During the 1905 Russian Revolution her crew was on the verge of mutiny, but ultimately remained loyal to the regime, and actively suppressed the mutiny of the cruiser Ochakov. (Full article...)
Fyodor Dostoevsky (1821–81; depicted in 1872) was a Russian novelist, short story writer, essayist and philosopher. After publishing his first novel, Poor Folk, at age 25, Dostoyevsky wrote (among others) eleven novels, three novellas, and seventeen short novels, including Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov (1880).
The Bolshoi Theatre is a historic theatre in Moscow, Russia, which holds ballet and opera performances. The company was founded on 28 March [O.S. 17 March] 1776, when Catherine the Great granted Prince Pyotr Urusov a licence to organise theatrical performances, balls and other forms of entertainment. Usunov set up the theatre in collaboration with English tightrope walker Michael Maddox. The present building was built between 1821 and 1824 and designed by architect Joseph Bové.
The Great Coat of Arms of the Russian Empire, as presented to Emperor Paul I in October 1800. The use of the double-headed eagle in the coat of arms (seen in multiple locations here) goes back to the 15th century. With the fall of Constantinople and the end of the Byzantine Empire in 1453, the Grand Dukes of Moscow came to see themselves as the successors of the Byzantine heritage, a notion reinforced by the marriage of Ivan III to Sophia Paleologue. Ivan adopted the golden Byzantine double-headed eagle in his seal, first documented in 1472, marking his direct claim to the Roman imperial heritage and his assertion as sovereign equal and rival to the Holy Roman Empire.
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
The Solovetsky Monastery is a Russian Orthodox monastery in Solovetsky, Arkhangelsk, Russia. Founded in 1436 by the monk Zosima, the monastery grew in power into the 16th century, becoming an economic and political center of the White Sea region and eventually hosting 350 monks. After the Bolshevik Revolution, Soviet authorities closed down the monastery and incorporated many of its buildings into Solovki prison camp, one of the earliest forced-labor camps of the gulag system. The camp closed after the region's trees had been harvested. Today the monastery has been re-established, and also serves as a museum.
Saint Michael's Castle is a former royal residence in the historic centre of Saint Petersburg, Russia. It was built for Emperor Paul I between 1797 and 1801, and named after Saint Michael, the patron saint of the royal family. Constructed like a castle around a small octagonal courtyard, the four facades were built in different architectural styles, including French Classicism, Italian Renaissance and Gothic. The emperor was assassinated in the castle forty days after taking up residence. After his death, the imperial family returned to the Winter Palace and the building was transferred to the Russian Army's Main Engineering School. In 1990, it became a branch of the Russian Museum, and now houses its portrait gallery.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
The Last Day of Pompeii is an oil painting on canvas completed by the Russian artist Karl Bryullov between 1830 and 1833. The painting is based on sketches the artist completed in 1828 while visiting Pompeii, a city destroyed by the eruption of Mount Vesuvius in 79 AD. It is now held in the State Russian Museum.
Photograph credit: Arto Jousi; restored by Adam Cuerden
Yuri Gagarin (9 March 1934 – 27 March 1968) was a Soviet Air Forces pilot and cosmonaut who became the first human to journey into outer space; his capsule, Vostok 1, completed a single orbit of Earth on 12 April 1961. Gagarin became an international celebrity and was awarded many medals and titles, including Hero of the Soviet Union, his nation's highest honour. In 1967, he served as a member of the backup crew for the ill-fated Soyuz 1 mission, after which the Russian authorities, fearing for the safety of such an iconic figure, banned him from further spaceflights. However, he was killed the following year, when the MiG-15 training jet that he was piloting with his flight instructor Vladimir Seryogin crashed near the town of Kirzhach.
This photograph of Gagarin, dated July 1961, was taken at a press conference during a visit to Finland approximately three months after his spaceflight.
An Alaskan parchment scrip banknote in the denomination of 1 ruble, printed on vellum or parchment by the Russian-American Company. On the obverse, the horizontal text immediately beneath the double-headed eagle reads "Seal of the Russian American Company". The oval text reads "under august protection of His Imperial Majesty", and under the oval is the value of the note "one ruble".
Alaskan parchment scrip was used as a form of company scrip in Alaska when it was a possession of the Russian Empire. In circulation from 1816 to 1867, such scrip could be printed on vellum, parchment, or pinniped skin. Denominations of 10, 25, 50 kopecks and 1, 5, 10, and 25 rubles were issued.
Maslenitsa, a 1919 painting depicting the carnival of the same name, which takes place the last week before Great Lent. The painting encompasses a broad range of things associated with Russia, such as snowy winter weather, a troika, an Orthodox church with onion domes. Painted in the aftermath of the October Revolution, the canvas was intended as a farewell to the unspoilt "Holy Russia" of yore.
Alexis (1629–1676) was the tsar of Russia from 1645 until his death. Born in Moscow on 29 March 1629, the son of Tsar Michael and Eudoxia Streshneva, the sixteen-year-old Alexis acceded to the throne after his father's death. Boris Morozov, a shrewd boyar open to Western ideas, took charge of Russia in the early years of Alexis's reign, but was exiled from Moscow following a popular uprising. Alexis responded to the uprising with a new legal code. His reign saw wars with Poland and with Sweden, a schism in the Russian Orthodox Church, and the major Cossack revolt of Stenka Razin. Alexis was married twice and had sixteen children, including tsars Fyodor III; Ivan V; Peter the Great; and Sofia, who ruled as regent for her brothers from 1682 to 1689.
This oil painting, made by an unknown artist in the 1670s, is now located in a museum in Ptuj, Slovenia.
November 19, 1825 - Alexander I of Russia died of typhus. The army swore allegiance to his eldest brother, the Grand Duke Konstantin Pavlovich. Constantine, however, following Alexander's choice of successor, swore allegiance to his younger brother, Nicholas I.
Manuscript miniature, part of double portrait with Empress Maria, Vatican Library
Manuel I Komnenos (Greek: Μανουήλ Κομνηνός, romanized: Manouḗl Komnēnós; 28 November 1118 – 24 September 1180), Latinized as Comnenus, also called Porphyrogenitus (Greek: Πορφυρογέννητος; "born in the purple"), was a Byzantine emperor of the 12th century who reigned over a crucial turning point in the history of Byzantium and the Mediterranean. His reign saw the last flowering of the Komnenian restoration, during which the Byzantine Empire experienced a resurgence of military and economic power and enjoyed a cultural revival.
Eager to restore his empire to its past glories as the great power of the Mediterranean world, Manuel pursued an energetic and ambitious foreign policy. In the process he made alliances with Pope Adrian IV and the resurgent West. He invaded the Norman Kingdom of Sicily, although unsuccessfully, being the last Eastern Roman emperor to attempt reconquests in the western Mediterranean. The passage of the potentially dangerous Second Crusade through his empire was adroitly managed. Manuel established a Byzantine protectorate over the Crusader states of Outremer. Facing Muslim advances in the Holy Land, he made common cause with the Kingdom of Jerusalem and participated in a combined invasion of FatimidEgypt. Manuel reshaped the political maps of the Balkans and the eastern Mediterranean, placing the kingdoms of Hungary and Outremer under Byzantine hegemony and campaigning aggressively against his neighbours both in the west and in the east. (Full article...)
... that the 1917 Leeds Convention in Britain passed resolutions calling for the end of the First World War and praising the February Revolution in Russia?
... that Ivan Beshoff, the last survivor of the mutiny on the Potemkin, emigrated to Ireland where he established a fish and chip shop that is still run by his descendants?
... that Russia launched an Iranian satellite into orbit just three weeks after Putin and Iran's Supreme Leader Ayatollah Khamenei vowed to cooperate against the West?
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![Image 3 Bolshoi Theatre Photograph: DmitriyGuryanov The Bolshoi Theatre is a historic theatre in Moscow, Russia, which holds ballet and opera performances. The company was founded on 28 March [O.S. 17 March] 1776, when Catherine the Great granted Prince Pyotr Urusov a licence to organise theatrical performances, balls and other forms of entertainment. Usunov set up the theatre in collaboration with English tightrope walker Michael Maddox. The present building was built between 1821 and 1824 and designed by architect Joseph Bové. More selected pictures](/wiki/File:Moscow-Bolshoi-Theare-1.jpg)
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